"Gallo . . . led a stylish Overture to Handel’s Xerxes, well sprung and subtly inflected. She skillfully managed the shifting and often dissonant textures of the aria “His name is Jan,” from Mazzolli’s opera about love transformed by a tragic injury. She was also keenly attentive to the ardent performance of soprano Cadie Jordan Bryan. Gallo sustained urgency in the reflective quartet “Mir ist so wunderbar” from Beethoven’s Fidelio. . . "
Scott Cantrell
The Dallas Morning News